Thursday, October 18, 2012

Hidden Egyptian!



Films! I really do love leafing through (or pressing the 'to the right' button through) these old movie magazines. So many absurd ads and glamour photos of film stars whose names are mostly forgotten...

This week in movie magazines, from Motion Picture Classic magazine (vol 9-11, 1920):


Stripey dress courtesy of Internet Archive, as usual

This article is an interview with actress Edith Storey and her super cute dog. It begins with the fabulous hook: "Have you ever stopped to think how many different kinds of love affairs there are? But of course you have; everyone does at some time or another!"

Don't be silly, of course you have!

Apparently one of these kinds of love affairs is a love affair with a favorite acting part. And Edith Storey's was with the part she played in "Dust of Egypt", a comedy. As Edith describes it: "In the beginning of the picture, I was an Egyptian princess. Nothing could stand in the way of my getting anything I wanted. I could take it or have it brought to me. My will was law absolute. And then the Princess died and her mummy came to life in the present century. (In the end it turns out that she was the creature of a dream)".  

It's not quite clear to me how this adds up to 'hidden Egyptian', but I suppose it's close enough.

Ancient Egypt is a perennial theme for films and was very popular in the 1920s - especially after the discovery of King Tutankamun's tomb in 1922 by Howard Carter (and his sponsor Lord Carnavon). Portrayals of  'the Orient' are often very much fascinated with the past, ancient-ness, and so on... Often the East was imagined to exist in a kind of perennial past or even state of timelessness.

And, for your entertainment, an advertisement for Palmolive which epitomizes this theme:

http://archive.org/stream/motionpicturecla1920broo#page/n331/mode/2up

Palmolive had a series of ads in the 1920s which portrayed the company as following in the footsteps of  ancient Egyptian use of palm and olive in beauty regimes. Often the ads paired an image of a modern American woman with an ancient Egyptian one. They're pretty amazing...and often quite startling? 

Can I mention that I just noticed that she's standing in the mummy coffin?! Is that the right word? Mummy case? Why would she be doing that? Why, Palmolive, why?

Next up, another Violet Winspear novel...

Saturday, October 6, 2012

Surrender My Love: Cable cars and Swiss hotels



The final installment! Mysteries solved and romances resolved…

In the last installment, the whole party was exploring a rather sad zoo.  Krista wandered off by herself, as you do, and was convinced by Hamid to visit his friend in Switzerland, and then warned that she is surrounded by danger on all sides. Fun times!

The group re-assembles back at the bus. Krista sees Eve (our Other Woman) kiss Ryan on the cheek before they board the bus and is cool with Ryan for the entire ride. They’re snippy with each other and Ryan eventually threatens to take her over his knee and spank her. I feel like this is not as popular a trope as it used to be.

Anyway, the tourist experience continues as the party goes to a Moroccan casino for dinner and a show. Jeff and Ryan wonder what kind of wine to have with couscous and the waiter recommends champagne. It wouldn’t be my choice, but I suppose champagne goes with everything. Eve commandeers Ryan for a dance and Krista is a bit catty about it to Jeff, who reveals that Eve has a fiancĂ©. That solves Krista’s jealousy issues and she talks it out with Ryan. ‘Communication problems’ will get you every time! That resolved, they spend a pleasant evening dancing and talking together and eating what sounds like a delicious dinner.

And then on to the show, which includes belly-dancing, snake-charming, and dancing with swords.  Ryan and Krista find the sword-dance a bit repetitive and so decide to head off to the casino.  Right after they’ve risen from their seats there’s a gasp of horror from the audience – one of the dancers’ swords has found its way into the seats they were just sitting at! And it sounds like these were not tame decorative swords.

Ryan and Krista are in shock. They could have been seriously injured! It’s only then that Krista thinks to tell Ryan about the warning she had from Hamid. Ryan gets firm and says they’re flying out of Morocco at the next possible flight. Back at the hotel Krista has a restless, nightmare-filled sleep. Like any man totally not in love with his ‘fake’ wife, Ryan kindly gets her a glass of water, some sleeping pills, a cool washcloth and changes her nightgown for her. Indeed.

The flight goes off without a hitch and Ryan and Krista arrive in Milan (their first stop on their way to Switzerland), ready to travel to their next zoo.  When Krista tells Ryan about her promise to Hamid to meet with his friend, Ryan becomes suspicious (of course!).  He wonders why they would need Hamid’s friend to translate the little red book. 

Exhausted by their journey, Krista and Ryan stop in Lucerne instead of taking the train all the way to Basel. This leads to a situation which always happens in set-ups like this: the last hotel room available only has one bed! What will they do?  Krista suggests they can be adults and share the bed platonically, but Ryan refuses. He finally shows his cards and tells Krista that “we have a perfectly good marriage certificate and I’m damned tired of playing games” (154). If they’re sleeping in the same bed together, they’ll be doing more than sleeping. If Krista doesn’t want to do that, then they won’t sleep in the same bed.

Krista is startled and finds it difficult to make a decision. She’s definitely attracted to him (and in love with him), but it’s like one complicated game of chicken. She doesn’t want to show her interest without knowing first that he’s in love with her. But after a bit of thought, she realizes she does want to sleep with him, so might as well go for it. And then they have sex while a storm rages on outside: “the tempest outside was nothing compared to the one which had raged between them” (156).

When Krista wakes up in the morning Ryan seems to have completely disappeared. Incredibly hurt, she decides to leave Lucerne by herself and fly back to the United States. As I said before, ‘communication problems’. The concierge books her a ticket, but suggests she goes explore Lucerne while she’s waiting for the train. So Krista heads out on an excursion up Mount Pilatus. This book is very successful with its tourism, because I definitely want to take this cable-car trip up the Swiss mountains!

Unfortunately, Krista is not so enthusiastic about heights. And once she reaches the top and gets out to see the sights, she finds herself essentially trapped on a mountain with…guess who…Hamid! She is for some reason initially neither suspicious nor worried. Until Hamid threatens to throw her off the mountain if she doesn’t give him his little book back. But it turns out she doesn’t have it – Ryan does. Hamid keeps a close hold on her as they travel back down the mountain, but as they get out of their tram car, they’re surrounded by a large group of men who grab hold of Hamid and bundle him into a car before Krista even knows what’s happened. And then Jeff and Ryan are there to catch her when she faints.

Explanations ensue: Ryan had left that morning to get the red book translated by someone from the government. It turns out that Hamid was suspected of having stolen some restricted Moroccan government documents, supposedly of interest to ‘extremists’. He was using Krista to try and get the information out of the country. They never really explain what the info was. Anyway, that was the Swiss police who bundled him into the car. That’s the suspense part of the plot resolved. And then the romance is resolved when Ryan reveals that he had left Krista a note, but she never got it. Ryan finally reveals that he’s been in love with Krista ever since she started working with him and that the whole trip was a way to get her to pay attention to him. I don’t see why he didn’t just ask her out on a date, but that’s me. They declare their love and all is well.

I don’t know if I have any ‘summing up’ thoughts on this book. It’s enjoyable as a sight-seeing tour, but both Morocco and Switzerland are really just background to Ryan and Krista’s relationship, which could be solved by one simple straightforward conversation. For a book with a political intrigue suspense plot, the actual politics involved are very fuzzy. I keep on thinking we’re getting closer to real ‘sheik romance’ territory, but the 70s seem to be lasting forever… 

Next up, a movie magazine break and then another Violet Winspear novel – this one has a hero who’s ‘half Russian prince, half man of the desert’. It sounds promising!